Jason bourne movies sequence
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Director Paul Greengrass’s signature handheld you-are-here style is in place but doesn’t feel as fresh as it did in the other films. Make no mistake, there’s plenty of Bourne battle and bloodshed and some of it is quite exciting but it doesn’t have the finesse of the earlier films. We expect that from Bourne and we also demand feral fighting scenes, crazy car crashes and action, action, action. Shot, beaten, dropped from a tall building or whatever, he’s the Energizer Bunny of international spies. If nothing else “Jason Bourne” proves once and for all that you can’t keep a good man down. “There’s no bringing in Bourne,” Dewey says. “Bringing him in is the smart move,” she says. “I’m going to cut the head off this thing,” says Dewey.įlitting about the edges of the intrigue is the CIA’s cyber ops head Heather Lee (Alicia Vikander), who helps Bourne in an effort to keep him away from The Asset’s deadly gaze.
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Wanting Bourne out of the way Dewey uses every newfangled asset at his disposal-like state-of-the-art global surveillance-to find the agent before turning to the old ways and bringing in an assassin known as, appropriately enough, The Asset (Vincent Cassel) to take care of business.
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They’re working on Edward Snowden’s worst nightmare, a new program called Ironhead, a system of full spectrum surveillance watching everyone all the time.
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To get his ya-yas out he goes all Fight Club, bare-knuckling any and all contenders but he’s drawn back into the international spy game-the movie never met an exotic location it couldn’t use, whether it’s Berlin, Reykjavík, Athens, London or even Vegas-after his former-handler-turned-hacker Nicky Parsons (Julia Stiles) tells him of a collaboration between CIA director Robert Dewey (Tommy Lee Jones, whose face is one forehead wrinkle away from becoming a caricature of an old man) and Silicon Valley kingpin Aaron Kalloor (Riz Ahmed). Most of his memory is intact, but he’s eaten away by guilt for the terrible things he did as a government programmed killer. Damon speaks a mere twenty-five lines of dialogue as he kicks, punches and crash-boom-bangs his way through this spy thriller, letting the action do the talking.ĭamon’s fourth go-round as amnesiac superspy Jason Bourne begins with him tormented by his violent past.
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“Jason Bourne,” the first Matt Damon led film in the series in nine years, proves that actions speak louder than words. “Damon crash-boom-bangs his way through spy thriller.” Thursday, July 28th, 2016 Posted in Metro, Metro In Focus | Comments Off on Metro In Focus: How Jason Bourne made Matt Damon a bona fide movie star JASON BOURNE: 3 STARS. Tags: Alicia Vikander, Good Will Hunting, Jason Bourne, Julia Stiles, Matt Damon, Paul Greengrass, Promised Land, Riz Ahmed, Saving Private Ryan, The Bourne Identity, The Bourne Ultimatum, THE GOOD SHEPHERD, The Talented Mr. Metro In Focus: How Jason Bourne made Matt Damon a bona fide movie star Friday, July 29th, 2016 Posted in Film Review | Comments Off on RICHARD’S CTV NEWSCHANNEL REVIEWS FOR “JASON BOURNE” & MORE FOR JULY 29. Tags: Alicia Vikander, Annie Mumolo, Bad Moms, Blake Lively, Café Society, Christina Applegate, Corey Stoll, Dave Franco, Emma Roberts, Jada Pinkett Smith, Jason Bourne, Jay Hernandez, Jeannie Berlin, Jesse Eisenberg, Julia Stiles, Juliette Lewis, Kathryn Hahn, Ken Stott, Kristen Bell, Kristen Stewart, Matt Damon, Mila Kunis, Nerve, Parker Posey, Paul Greengrass, Riz Ahmed, Samira Wiley, Steve Carell, The Bourne Ultimatum, THE HANGOVER, Tommy Lee Jones, Vincent Cassel, Woody Allen Richard sits in with Marcia McMillan to have a look at the the rollercoaster action of “Jason Bourne,” the heartwarming (and slightly raunchy) comedy of “Bad Moms,” “Cafe Society’s” period piece humour and the online intrigue of “Nerve.” Posts Tagged ‘The Bourne Ultimatum’ RICHARD’S CTV NEWSCHANNEL REVIEWS FOR “JASON BOURNE” & MORE FOR JULY 29.